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Emy Reyes

2.8 / 5.0

AKA: Emma Reyes, Emy Diaz, Zasha

Personal Details

Age
39 years young Born: Sunday 7th of June 1987
Gender
Female
Career
2007-2017 Started at 20; 10 years active

Physical Attributes

Height
5'1" (154.0 cm)
Hair Color
Eye Color
Ethnicity
Measurements
C32-24-36
Breast Type

Emy Reyes

Born on June 7, 1987, in Miami, Florida, Emy Reyes is of Honduran descent and holds both Honduran and American nationality. She entered the adult industry around 2007 at approximately 20 years old and remained active for a decade, working steadily through 2017.

Career Timeline and Studio Work

Emy's career spanned a productive ten-year period during which she built a substantial body of work. Her output includes 193 covers, 143 photosets, and 50 videos. She worked under several names throughout her career, including Emy Diaz and Zasha, a common practice in the industry for performers working across multiple studios and platforms.

Her studio affiliations reflect a focus on solo and softcore content networks. She modeled for ATK Petites, ATK Exotics, and ATK Premium, all part of the broader ATK network that specialized in niche categories. Her work with Nubiles and Torrid Art further rounded out her portfolio. The ATK network in particular was known for high-volume photo and video content during the period Emy was active, and her presence across three of its sub-brands suggests she was a regular contributor.

Physical Profile

Standing at 5'1" and weighing 114 pounds, Emy fits comfortably within the petite category that several of her studio affiliations catered to. Her measurements are 32C-24-36, with enhanced breasts. She has black hair and brown eyes. As a performer of mixed-race background with Honduran roots, she was frequently featured on sites emphasizing exotic or Latina-oriented content, which aligns with her placement on ATK Exotics.

Industry Context

Emy's active years from 2007 to 2017 placed her career squarely within a transitional period for the adult industry, as it shifted from DVD-era production toward streaming and subscription-based platforms. Her work was concentrated primarily with content networks rather than major traditional studios, which was increasingly common during this era. The volume of her output, particularly in photosets and covers, points to consistent demand for her work throughout that decade.

Since her primary career window closed around 2017, Emy has maintained an online presence through social media and a subscription-based content page, though her studio-affiliated production appears to have wound down.