Payton Preslee

Payton Preslee

Born in Poland on February 24, 1994, Payton Preslee relocated to Chicago, Illinois, before building a career in adult entertainment that has now spanned over six years. She is among a number of Polish Models who have established a presence in the American adult industry.

Early Career and Name Changes

Payton first entered the modeling world in 2018 as a SuicideGirl under the name Ivy Rose, working as an alternative model. She also used the name Natasha Nails during this early phase. After a period of camming, she transitioned into studio-produced adult content and adopted the stage name Payton Preslee, which she has used consistently since roughly 2019.

Studio Work and Output

Over the course of her career, Payton has built a substantial body of work, appearing in 324 videos and 26 photosets, with credits on approximately 350 cover images. She has worked with a range of studios, with notable affiliations including Twistys, FTV MILFs, and the Mylf network. Her output reflects steady and consistent production across multiple years rather than a concentrated burst of activity.

In July 2025, she was named Mylf of the Month, a recurring promotional distinction within the Mylf network that highlights featured performers.

Physical Profile and Appearance

Payton stands 5 feet 3 inches tall and carries measurements of 36F-26-39. She has black hair, blue eyes, and enhanced breasts. Her look is defined in part by visible tattoos on her right arm, belly, hips, and left thigh, along with multiple piercings including both nipples, navel, nostril, upper lip, and a clit piercing. This aesthetic aligns with her roots in alternative modeling, and she fits comfortably among tattooed models working in the adult space.

Career Context

Starting at around age 25, Payton entered the industry slightly later than many of her peers, which combined with her MILF-category branding has shaped her positioning within the market. Her progression from alt-modeling to mainstream adult production followed a path that has become increasingly common: building an audience through independent platforms before moving into studio work. With six years of active production and a large catalog of content, she remains a working performer with ongoing studio relationships as of 2025.