Marie Madore

Marie Madore

Born on November 21, 1991, in Dallas, Texas, Marie Madore is an American model and influencer of Cambodian, Vietnamese, and Chinese descent. Though born in Southern California, she was raised in Dallas, where her modeling career would eventually take shape.

Early Career

Marie's entry into modeling began modestly, working with local boutiques as a side project. These early collaborations provided a foundation that led to larger opportunities in the print and promotional modeling world. Her work as a race queen and promotional model connected her to the automotive and import car show circuit, where she earned the title of Miss Hot Import Nights Dallas.

Print and Publication Work

Marie's career gained more formal industry recognition through features in major men's publications. She has been published by both Playboy and Maxim, two of the most established names in the space. In 2014, she was named a semi-finalist for Maxim's Hometown Hotties list, a competition that historically drew significant attention to up-and-coming models across the United States.

Platform and Online Presence

Building on her print credentials, Marie established herself as an online content creator, growing a substantial following on social media platforms. She is frequently noted alongside other prominent Asian-American models such as Victoria Nguyen within the influencer space. She maintains an active presence on multiple platforms and operates a paid content page. As a mixed-race model with roots in multiple Asian backgrounds, she occupies a distinct space within the broader modeling landscape.

Profile

Marie stands 5 feet 5 inches tall with brown hair and brown eyes. She has an athletic build with measurements of 34-29-37 and a 34C bra size with enhanced bust. She has various tattoos. Now 34, Marie has maintained a career in modeling and content creation spanning well over a decade, transitioning from local boutique work and car show appearances to nationally recognized publications and a sustained digital presence. Her trajectory reflects a common path for models of her generation who bridged the gap between traditional print work and the creator economy that followed.