












Liana Smiss
AKA: Angela C, Boobs Donna, Dana Moravova, Daniela, Daniele, Daniele Dante, Liana, Liana A, Liana Busty, Liane, Lianna Smiss, Mona, Monica, Paola Wiltord, Petra, Petra Lovka, Petra Vismekova, Visim
Personal Details
Liana Smiss
Born in the Czech Republic on May 27, 1983, Liana Smiss entered the adult industry in 1999 at age 16, beginning a career that would span roughly twelve years. She is among the Czech Models who built their careers primarily through European studio productions during the 2000s, a period when Czech and Eastern European talent became prominent in the international market.
Career and Studio Work
Liana worked under a notably large number of aliases throughout her career, including Angela C, Boobs Donna, Dana Moravova, Daniela, Daniele Dante, Liana Busty, Paola Wiltord, Petra Lovka, and Petra Vismekova, among others. The use of multiple names across different productions was common practice for performers working with various studios across national markets during this era, and the volume of aliases associated with Liana reflects an active output across different production houses.
Her career ran until approximately 2011, giving her roughly twelve years of documented activity. She appears in records across several industry databases including IMDB, DATA18, AFDB, and EGAFD, indicating a body of work substantial enough to warrant cross-platform documentation.
Physical Profile
Liana stands 165 cm tall with measurements of 36F-30-40 and carries natural F-cup breasts, a physical attribute that likely contributed to her casting across productions that marketed large natural figures. She has brown eyes, a tattoo on her right upper arm, and piercings at the navel, tongue, and right nostril. Her hair color varied across her career, as reflected in her database records.
Industry Context
Liana's career places her in the generation of Czech performers who worked predominantly through the early-to-mid 2000s studio system before the industry shifted significantly toward independent and digital-first production models. Her retirement around 2011 aligns with a broader transition point in the industry when many performers from the early internet era stepped back from studio work. Her filmography remains catalogued across multiple active databases, keeping her work accessible to researchers and fans of that production period.
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