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AKA: missklyde24, Black Swan, Dafne, Dafne Kylde, Daisi, Daphe Klyde, Daphne, Dari, Dari Black, Darya, Darya Y, Dasha, Erica, Erica B, Erica Black, Erika, Erika Black, Han, Martina, Slutt, Czech Casting 3650, Dari 3650, Daria Black
Personal Details
Daphne Klyde
Born on March 24, 1994, in Kyiv, Ukraine, Daphne Klyde entered the adult industry around 2015 at approximately 21 years of age. Over the course of a decade, she has built a steady career across European adult production, working under numerous aliases including Dari, Dasha, Daria Black, and Erika Black, among others.
Career Timeline
Daphne began performing in 2015 and quickly found work with European studios and casting platforms. Her early credits include appearances under the Czech Casting banner, where she was catalogued as "Czech Casting 3650." This type of entry point was common for Eastern European performers during that period, often serving as a gateway to wider studio work.
Throughout the latter half of the 2010s and into the 2020s, she maintained a consistent output across multiple productions. Her use of more than 20 known aliases across different studios and platforms reflects the fragmented nature of European adult content distribution, where performers frequently work under different names depending on the producer or market.
Physical Profile and Industry Presence
Daphne stands 5'6" with black hair, brown eyes, and a slim build. Her measurements are 36-24-36 with natural B-cup breasts. She has several piercings, including tongue, navel, and ears, along with script tattoos on both wrists. As a Ukrainian model of mixed-race background, she occupies a distinct niche within the European adult market.
Current Activity
As of 2026, Daphne remains active in the industry, marking roughly ten years of continuous work. She maintains an OnlyFans account and social media presence, indicating a shift that mirrors the broader industry trend of performers supplementing or replacing traditional studio work with direct-to-consumer platforms. Her longevity places her among the more experienced active performers in the European segment, having navigated the transition from studio-first production to the creator economy model that now dominates the business.
Her career arc, from casting content to established performer with a decade of credits, represents a fairly typical trajectory for Eastern European performers who entered the industry in the mid-2010s and managed to sustain relevance through changing distribution models.
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